Replied: Wed, 04 Jan 1995 20:59:41 PST Received: from gold.CS.ORST.EDU by research.CS.ORST.EDU (4.1/1.30) id AA08252; Wed, 4 Jan 95 19:09:49 PST From: paulc (Paul Carlson) Received: by gold.CS.ORST.EDU (4.1/CS-Client) id AA21027; Wed, 4 Jan 95 19:18:34 PST Message-Id: <9501050318.AA21027@gold.CS.ORST.EDU> Subject: Writing Tips To: burnett (Margaret Burnett), yang (Sherry Yang), atwoodj (John Atwood), vanzeep (Pieter van Zee), walpolr (Rebecca Walpole), mishras (sunanda mishra), summers (Benjamin C Summers), crowl (Lawrence Crowl) Date: Wed, 4 Jan 1995 19:18:34 -0800 (PST) X-Mailer: ELM [version 2.4 PL22] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 6355 Hi, Over the last year or so I've been collecting various sources on the art (science?) of good writing. Over the last few days I've read those sources and I thought I'd share the results with you. It's interesting to note that every source claims that to write well you should write simply, clearly, and briefly. Avoid pompous phrases. If you need to use an unusual word, make certain that the subtlety of its definition is exactly what you're looking for. I'm particularly interested in a response if you disagree with any of the opinions given below. ========================================================== On Writing Well, by William Zinsser (book) ----------------------------------- If your main writing is science or technical writing, I don't recommend that you read this book. However, if you're interested in writing in general, it's a quick read, mostly about the different types of writing. Some notes I made: Clutter ------- Writing improves in direct ratio to the number of things we can keep out of it that shouldn't be there.... The writer of clear English must examine every word that he puts on paper. Clutter is the laborious phrase which has pushed out the short word that means the same thing... These locutions are a drag on energy and momentum. Imagine you are writing to children -- not so you are talking down to the reader, but rather so you eliminate pompous phrases whose only effect is to make you sound more important. Avoid ponderous euphemisms -- call a "depressed socioeconomic area" a slum and a "volume reduction plant" an incinerator. Clutter slows the reader and robs the writer of his personality. Style ----- A writer is obviously at his most natural and relaxed when he writes in the first person. Where first person isn't allowed, consider using it anyways on the first few drafts. The Ending ---------- When you have presented all the facts and made the point that you want to make, look for the nearest exit. Little Qualifiers ----------------- Every little qualifier ("a bit" "a little" "sort of" "kind of" "rather" "quite") whittles away some fraction of trust on the part of the reader. He wants a writer who belives in himself and in what he is saying. Don't diminish this belief. Don't be kind of bold. Be bold. Contractions ------------ There is no rule against such informality -- trust your ear and your instincts. ================================================== The Elements of Style, Strunk and White (book) --------------------------------------- After hearing so many good things said about this book, I approached it with a definite degree of skepticism. But everyone was right -- it's a gem! The person who writes regularly should read this book on an annual basis. It only takes 3-4 hours and we need to be reminded of its wisdom on a regular basis. You can purchase it at the bookstore for $5.95; look under WR. Most of my notes were on style rules and aren't repeated here. But here are a couple comments: Put statements in positive form. Consciously or unconsciously, the reader is dissatisfied with being told only what is not; he wishes to be told what is. E.g., use dishonest rather than not honest; use forgot rather than did not remember. If those who have studied the art of writing are in accord on any one point, it is on this: the surest way to arouse and hold the attention of the reader is by being specific, definite, and concrete. In general, it is nouns and verbs, not adjectives and adverbs, that give to good writing its toughness and color. ==================================================== The Science of Scientific Writing, by Gopen and Swan (article) ---------------------------------------------------- I highly recommend that everyone take the time to read this nine-page article. The article is based on these thoughts: In order to understand how best to improve writing, we would do well to understand better how readers go about reading.... This methodology of reader expectations is founded on the recognition that readers make many of their most important interpretive decisions about the substance of prose based on clues they receive from its structure. Information is interpreted more easily and more uniformly if it is placed where most readers expect to find it. Readers have relatively fixed expectations about where in the structure of prose they will encounter particular items of its substance. If these structural expectations are continually violated, readers are forced to divert energy from understanding the content of a passage to unraveling its structure. ====================================================== Here's some miscellaneous stuff from sundry sources: Authors should strive for active verbs and straightforward declarative sentences, making every effort to help readers understand the concepts presented. The purpose of an introduction to a technical article is to define the problem that led to the investigation. To do so, the introduction generally must (1) fill in the background and (2) isolate the particular deficiencies that currently exist. Demonstratives - "this" "that" "these" "those" - should in almost all cases serve as adjectives rather than as pronouns. Examples: UNCLEAR - The task force could not complete its study of the mine accident. This was the subject of a scathing editorial in the union newspaper. CLEAR - The task force failed to complete its study of the mine accident. This failure was the subject of a scathing editorial in the union newspaper. INTERRUPTIVE - The law firm advised that the company initiate proceedings. This resulted in the company's search for a second legal opinion. FLUID - The law firm advised that the company initiate proceedings. This advice resulted in the company's search for a second legal opinion. Restrictive modifiers - do not set off with commas, use "that" Nonrestrictive modifiers - do separate using commas, use "which" Some questions to ask when writing a technical article: What have you learned from the work? If you didn't learn anything it is a reasonable bet your reader won't either. What were the alternatives considered at various points, and why were the choices made the way they were? Does the introductory material contain excess baggage not needed for your main development?